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|Lucy Eldine Gonzalez Parsons|
Lucy Parsons, 1886
|Born||1853 (?), Texas|
|Died||March 7, 1942, Chicago, Illinois|
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Lucy Eldine Gonzalez Parsons (died March 7, 1942) was a radical American labor organizer and anarchist communist. She is remembered as a powerful orator.
Lucy (or Lucia) Eldine Gonzalez was born around 1853 in Texas, likely as a slave, to parents of Native American, Black American and Mexican ancestry.
In 1871 she married Albert Parsons, a former Confederate soldier, and both were forced to flee from Texas north to Chicago by intolerant reactions to their interracial marriage.
Described by the Chicago Police Department as "more dangerous than a thousand rioters" in the 1920s, Parsons and her husband had become highly effective anarchist organizers primarily involved in the labor movement in the late 19th century, but also participating in revolutionary activism on behalf of political prisoners, people of color, the homeless and women. She began writing for The Socialist and The Alarm, the journal of the International Working People's Association (IWPA) which she and Parsons, among others, founded in 1883. In 1886 her husband, who had been heavily involved in campaigning for the eight hour day, was arrested, tried and executed on November 11, 1887, by the state of Illinois on charges that he had conspired in the Haymarket Riot– an event which was widely regarded as a political frame-up, and which marked the beginning of May Day labor rallies in protest.
In 1892 she briefly published Freedom: A Revolutionary Anarchist-Communist Monthly, and was often arrested for giving public speeches or distributing anarchist literature. While she continued championing the anarchist cause, she came into ideological conflict with some of her contemporaries, including Emma Goldman, over her focus on class politics over gender and sexual struggles.
In 1905 she participated in the founding of the Industrial Workers of the World, and began editing the Liberator, an anarchist newspaper that supported the IWW in Chicago. Lucy's focus shifted somewhat to class struggles around poverty and unemployment, and she organized the Chicago Hunger Demonstrations in January 1915, which pushed the American Federation of Labor, the Socialist Party, and Jane Addams' Hull House to participate in a huge demonstration on February 12. Parsons was also quoted as saying, "My conception of the strike of the future is not to strike and go out and starve, but to strike and remain in and take possession of the necessary property of production." (Wobblies! 14) Parsons anticipated the sit-down strikes in the US and, later, workers' factory takeovers in Argentina.
In 1925 she began working with the National Committee of the International Labor Defense in 1927, a communist-led organization that defended labor activists and unjustly-accused African Americans such as the Scottsboro Nine and Angelo Herndon. While it is commonly accepted by nearly all biographical accounts (including those of the Lucy Parsons Center, the IWW, and Joe Knowles) that Parsons joined the Communist Party in 1939, there is some dispute, notably in Gale Ahrens' essay "Lucy Parsons: Mystery Revolutionist, More Dangerous Than A Thousand Rioters", which can be found in the anthology Lucy Parsons: Freedom, Equality, Solidarity. Ahrens also points out, in "Lucy Parsons: Freedom, Equality and Solidarity: Writings and Speeches, 1878 - 1937", that the obituary which the Communist Party had published on her death made no claim that she had been a member.
Parsons continued to give fiery speeches in Chicago's Bughouse Square into her 80s, where she inspired Studs Terkel.
One of her last major appearances was at the International Harvester in February 1941. She died on March 7, 1942, in a house fire. Her lover, George Markstall, died the next day from wounds he received while trying to save her. She was believed to be 89 years old. After her death, police seized her library of over 1500 books and all of her personal papers.
She is buried near her husband, near the Haymarket Monument, at the Waldheim Cemetery (now Forest Home Cemetery), in Forest Park, Illinois (then part of the city of Chicago).
In 2004, the City of Chicago named a park for her. On July 16, 2007, a book that purportedly belonged to Lucy Parsons was featured on a segment of the American Public Broadcasting Service television show, History Detectives. During the segment it was determined that the book, which was a biography of co-defendant August Spies' life and trial, was most likely a copy published and sold by Parsons as a way to raise money to prevent her husband's execution. The segment also provided background on Parsons' life and the Haymarket affair.
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Emma Goldman and Lucy Parsons represented different generations of anarchism. This resulted in ideological and personal conflict. Carolyn Ashbaugh has explained their disagreements in depth:
Lucy Parsons' feminism, which analyzed women's oppression as a function of capitalism, was founded on working class values. Emma Goldman–s feminism took on an abstract character of freedom for women in all things, in all times, and in all places; her feminism became separate from its working class origins. Goldman represented the feminism being advocated in the anarchist movement of the 1890s [and after]. The intellectual anarchists questioned Lucy Parsons about her attitudes on the women's question.
In 1908, after Captain Mahoney (of the New York Police Department) crashed one of Goldman–s lectures in Chicago, newspaper headlines read that every popular anarchist had been present for the spectacle, –with the single exception of Lucy Parsons, with whom Emma Goldman is not on the best of terms.– Goldman reciprocated Parsons–s absence by endorsing Frank Harris' book The Bomb, which was a largely fictional account of the Haymarket Affair and its martyrs road to death. (Parsons had published The Famous Speeches of the Haymarket Martyrs, a non-fictional, first-hand recounting of the Haymarket martyrs' final speeches in court.)
Parsons was solely dedicated to working class liberation, condemning Goldman for –addressing large middle-class audiences–; Goldman accused Parsons of riding upon the cape of her husband–s martyrdom. –[N]o doubt,– Candace Falk wrote (Love, Anarchy, and Emma Goldman), –there was an undercurrent of competitiveness between the two women. Emma generally preferred center stage.– Goldman planned on preserving her place in the spotlight as an American anarchist laureate by shoving risqu sexual and kinship discourse into –the center of a perennial debate among anarchists about the relative importance of such personal issues–.
In The Firebrand, she wrote, –Mr. [Oscar] Rotter [a free love advocate] attempts to dig up the hideous –Variety– grub and bind it to the beautiful unfolding blossom of labor's emancipation from wage-slavery and call them one and the same. Variety in sex relations and economic freedom have nothing in common.– Goldman responded:
The success of the meeting was unfortunately weakened by Lucy Parsons who, instead of condemning the unjustified [Comstock attacks and arrest of anarchists]–took a stand against the editor of the Firebrand, [Henry] Addis, because he tolerated articles about free love– Apart from the fact that anarchism not only teaches freedom from the economic and political areas, but also in social and sexual life, L. Parsons has the least cause to object to treatises on free love– I spoke after Parsons and had a hard time changing the unpleasant mood that her remarks elicited, and I also succeeded in gaining the sympathy and the material support of the people present–
Parsons responded: "The line will be drawn sharply at personalities as we know these enlighten no one and do infinitely more harm than good."
Goldman, in her autobiography, Living My Life, briefly mentioned the presence of "Mrs. Lucy Parsons, widow of our martyred Albert Parsons", at a Chicago labor convention, noting that she "took an active part in the proceedings". Goldman later would acknowledge Albert Parsons for becoming a socialist and anarchist, proceeding to praise him for having "married a young mulatto"; there was no further mention of Lucy Parsons.
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