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We must speak out
By John Berger
December 15, 2006
Today I am supporting a world-wide appeal to teachers, intellectuals
and artists to join the cultural boycott of the state of Israel,
as called for by over a hundred
Palestinian academics and artists, and - very importantly - also
by a number of Israeli public figures, who outspokenly oppose their
country's illegal occupation of the Palestine territories of the
West Bank and Gaza. Their call, printed in the Guardian today,
can be read here.
A full list of signatories can be found here.
The boycott is an active protest against two forms of exclusion
which have persisted, despite many other forms of protestations,
for over 60 years - for almost three generations. During this period
the state of Israel has consistently excluded itself from any international
obligation to heed UN resolutions or the judgement of any international
court. To date, it has defied 246 Security Council Resolutions.
As a direct consequence seven million Palestinians have been excluded
from the right to live as they wish on land internationally acknowledged
to be theirs; and now increasingly, with every week that passes,
they are being excluded from their right to any future at all as
a nation. As Nelson Mandela has pointed out, boycott is not a principle,
it is a tactic depending upon circumstances. A tactic which allows
people, as distinct from their elected but often craven governments,
to apply a certain pressure on those wielding power in what they,
the boycotters, consider to be an unjust or immoral way. (In white
South Africa yesterday and in Israel today, the immorality was,
or is being, coded into a form of racist apartheid.)
Boycott is not a principle. When it becomes one, it itself risks
becoming exclusive and racist. No boycott, in our sense of the term,
should be directed against an individual, a people, or a nation
as such. A boycott is directed against a policy and the institutions
which support that policy either actively or tacitly. Its aim is
not to reject, but to bring about change.
How to apply a cultural boycott? A boycott of goods is a simpler
proposition, but in this case it would probably be less effective,
and speed is of the essence, because the situation is deteriorating
every month (which is precisely why some of the most powerful world
political leaders, hoping for the worst, keep silent).
How to apply a boycott? For academics it's perhaps a little clearer
- a question of declining invitations from state institutions and
explaining why. For invited actors, musicians, jugglers or poets
it can be more complicated. I'm convinced, in any case, that its
application should not be systematised; it has to come from a personal
choice based on a personal assessment.
For instance: an important mainstream Israeli publisher today is
asking to publish three of my books. I intend to apply the boycott
with an explanation. There exist, however, a few small, marginal
Israeli publishers who expressly work to encourage exchanges and
bridges between Arabs and Israelis, and if one of them should ask
to publish something of mine, I would unhesitatingly agree and furthermore
waive aside any question of author's royalties. I don't ask other
writers supporting the boycott to come necessarily to exactly the
same conclusion. I simply offer an example.
What is important is that we make our chosen protests together,
and that we speak out, thus breaking the silence of connivance maintained
by those who claim to represent us, and thus ourselves representing,
briefly by our common action, the incalculable number of people
who have been appalled by recent events but lack the opportunity
of making their sense of outrage effective.
Full details of the campaign and add your name at www.bricup,.org.uk
or email info@bricup.org.uk
(CX5402)
Subject Headings
Boycotts Israel Israeli Apartheid Occupied Territories Palestine/Occupation
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